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This grand novel encompasses nearly all of Yugoslavia’s tumultuous twentieth century, from the decline of the Austro-Hungarian and Ottoman Empires through two world wars, the rise and fall of communism, the breakup of the nation, and the terror of the shelling of Dubrovnik. Tackling universal themes on a human scale, master storyteller Miljenko Jergovic traces one Yugoslavian family’s tale as history irresistibly casts the fates of five generations.

What is it to live a life whose circumstances are driven by history? Jergovic investigates the experiences of a compelling heroine, Regina Delavale, and her many family members and neighbors. Telling Regina’s story in reverse chronology, the author proceeds from her final days in 2002 to her birth in 1905, encountering along the way such traumas as atrocities committed by Nazi Ustashe Croats and the death of Tito. Lyrically written and unhesitatingly told, may be read as an allegory of the tragedy of Yugoslavia’s tormented twentieth century.

In this rare glimpse into the life of Nobel laureate Patrick Modiano, the author takes up his pen to tell his personal story. He addresses his early years — shadowy times in postwar Paris that haunt his memory and have inspired his world-cherished body of fiction. In the spare, absorbing, and sometimes dreamlike prose that translator Mark Polizzotti captures unerringly, Modiano offers a memoir of his first twenty-one years. Termed one of his “finest books” by the is both a personal exploration and a luminous portrait of a world gone by.

PedigreeSuspended Sentences, Dora Bruder,Pedigree

One hundred years after Austrian satirist Karl Kraus began writing his dramatic masterpiece, remains as powerfully relevant as the day it was first published. Kraus’s play enacts the tragic trajectory of the First World War, when mankind raced toward self-destruction by methods of modern warfare while extolling the glory and ignoring the horror of an allegedly “defensive” war. This volume is the first to present a complete English translation of Kraus’s towering work, filling a major gap in the availability of Viennese literature from the era of the War to End All Wars.

Bertolt Brecht hailed as the masterpiece of Viennese modernism. In the apocalyptic drama Kraus constructs a textual collage, blending actual quotations from the Austrian army’s call to arms, people’s responses, political speeches, newspaper editorials, and a range of other sources. Seasoning the drama with comic invention and satirical verse, Kraus reveals how bungled diplomacy, greedy profiteers, Big Business complicity, gullible newsreaders, and, above all, the sloganizing of the press brought down the Austro-Hungarian Empire. In the dramatization of sensationalized news reports, inurement to atrocities, and openness to war as remedy, today’s readers will hear the echo of the fateful voices Kraus recorded as his homeland descended into self-destruction.

Set in the darkest years of the Pinochet dictatorship, is the story of Lorena, a leftist militant who arrives at a merciless turning point when every choice she confronts is impossible. Captured by agents of the Chilean repression, withstanding brutal torture to save her comrades, she must now either forsake the allegiances of motherhood or betray the political ideals to which she is deeply committed.

Arturo Fontaine’s Lorena is a study in contradictions — mother and combatant, intellectual and lover, idealist and traitor — and he places her within a historical context that confounds her dilemmas. Though she has few viable options, she is no mere victim, and Fontaine disallows any comfortable high moral ground. His novel is among the most subtle explorations of human violence ever written.

Ranking with Roberto Bolaño and Mario Vargas Llosa on Latin America’s roster of most accomplished authors, Fontaine is a fearless explorer of the most sordid and controversial aspects of Chile’s history and culture. He addresses a set of moral questions specific to Pinochet’s murderous reign but invites us, four decades later, to consider global conflicts today and question how far we’ve come.

This uneasy, compelling novel begins with a nighttime accident on the streets of Paris. The unnamed narrator, a teenage boy, is hit by a car whose driver he vaguely recalls having met before. The mysterious ensuing events, involving a police van, a dose of ether, awakening in a strange hospital, and the disappearance of the woman driver, culminate in a packet being pressed into the boy’s hand. It is an envelope stuffed full of bank notes. The confusion only deepens as the characters grow increasingly apprehensive; meanwhile, readers are held spellbound.

Modiano’s low-key writing style, his preoccupation with memory and its untrustworthiness, and his deep concern with timeless moral questions have earned him an international audience of devoted readers. This beautifully rendered translation brings another of his finest works to an eagerly waiting English-language audience. has been named “a perfect book” by while observes, “ is cloaked in darkness, but it is a novel that is turned toward the light.”

One of the hallmarks of French author Patrick Modiano’s writing is a singular ability to revisit particular motifs and episodes, infusing each telling with new detail and emotional nuance. In this evocative novel the internationally acclaimed author takes up one of his most compelling themes: a love affair with a woman who disappears, and a narrator grappling with the mystery of a relationship stopped short.

Set in mid-sixties Paris, After the Circus traces the relationship between the narrator, a young man not quite of legal age, and the slightly older, enigmatic woman he first glimpses at a police interrogation. The two lovers make their uncertain way into each other’s hearts, but the narrator soon finds himself in the unsettling, ominous presence of others. Who are these people? Are they real, or simply evoked? Part romance, part detective story, this mesmerizing book fully demonstrates Modiano’s signature use of atmosphere and suggestion as he investigates the perils and the exhilaration of young love.

Displaced from his home more than twenty years ago as Bosnia, Croatia, and Serbia descended into war, Serbian author David Albahari found safety in Canada, where this novel was written. In Albahari deals with the bewilderments of exile and lost identity, themes he has investigated in earlier works. But in this unsettling experimental book he also enters new arenas, where sexual identity and the nature of blame and guilt attract his scrutiny.

Narrated in a single uninterrupted paragraph, the novel takes place in the late 1990s at the Banff Art Centre in the Canadian Rockies. Three men — a painter from Saskatchewan and the narrator of the tale, a writer from Serbia, and a man whose traveling Croatian grandfather long ago jotted his name in a local museum’s guest book — become acquainted, then attached, then fatally entangled. On a climactic mountain hike that seethes with jealousy, desire, shame, and guilt, each man must engage in a final struggle. Albahari seizes his reader’s attention and never yields it in this remarkable, gripping tale.