Психологический триллер 111 Книги

Someone — I wish it were me — has put together a fantastic collection of Woolrich stories that everyone needs to have. This includes most of his classics (It Had to be Murder is really Rear Window). Many great pulp classics here — plus one I’ve been looking for for a long time, Jane Brown’s Body, which is CW’s only Science Fiction story. Grab this one — it’s a noirfest everyone should indulge in.

Когда случается громкое убийство, газеты кричат о нем огромными заголовками и кровавыми подробностями, а в полицию приходят признаваться в преступлении самые разные люди. Среди них — и мистер Прайн…

DEALING... PRODUCING... ALL IN A DAY’S WORK FOR A DRUGLORD. OR IN HOLLYWOOD.

Ruined and on the lam, former drug kingpin Max Fisher stumbles upon the biggest discovery of his crooked life: a designer drug called PIMP that could put him back on top. Meanwhile, a certain femme fatale from his past is pursuing a comeback dream of her own, setting herself up in Hollywood as producer of a series based on her and Max’s life story. But even in La-La Land, happy endings are hard to come by, especially with both the cops and your enemies in the drug trade coming after you...

In depths of despair, the beautiful, lonely Madeline contemplates suicide. She gently strokes an ugly revolver, the sole legacy of an alcoholic father. Holding the barrel to her temple, she pulls the trigger. There is only the click of the hammer on an empty chamber.

The failure of the weapon brings on a rush of joy, and renewed hope for her future. She throws down the gun — and it explodes with deadly fury. The bullet strikes an innocent young woman passing in the street outside, who in the next moment dies in Madeline’s arms.

So begins , the quintessential Cornell Woolrich novel, never before published. Although Woolrich worked on it for years, this tale of hatred and passion, of love and suspense, remained unfinished at the time of his death. This undiscovered masterpiece has been completed by Lawrence Block — one of today’s most distinguished mystery writers — to create a work which will stand beside Woolrich’s and

Consider Ariel Jardell, an adopted twelve-year-old girl driven by jealousy — her mother thinks — and by forces far more bizarre — as you will discern — to a precocious excursion into evil from mere mischief, to malevolence beyond compare... Haunting as The Turn of the Screw, chilling as The Bad Seed, Ariel spins a complex web of demonic circumstance with a fascinating, terrifying child at its center, giving new definition to the age-old conflict of good and evil, sane and insane.

One rainy night, the unthinkable happens: Dylan Moran’s car plunges off the road into a raging river, his beautiful wife drowning as he struggles to shore.

In the aftermath, through his grief, Dylan experiences sudden, strange visions: wherever he goes, he’s haunted by glimpses of himself. Dylan initially chalks it up to trauma, but that changes when he runs into a psychiatrist who claims he’s her patient. She says he has been undergoing a unique hypnotherapy treatment built on the idea that with every choice, he creates an infinite number of parallel universes.

Now those parallel universes are unlocked — and Dylan’s doppelgänger has staked a claim to his world. Can Dylan use these alternate realities to get a second chance at the life that was stolen from him? Or will he lose himself...  to himself?

There was nothing distinctive about her except the hat — the shape and color of a pumpkin, with a cockerel feather curving up from the center. And that is all Scott Henderson could remember when his life depended on it. He had met her in a bar when he was grimly trying to recover from the aftermath of a quarrel with his wife He took her to dinner, then to the theatre. It was understood that personalities should not enter into their conversation. Thus when he returned late to his apartment to find his wife strangled with one of his own neckties and the police waiting to hear his story, he could not tell them the name of the only person who could prove his innocence. Worse than that, as the police retraced his steps on the fateful night, bartender, taxi driven waiter and ticket-taker all swore that Henderson had been alone. Horrified at the thought that he had taken leave of his senses, Scott Henderson was arrested for murder. Tough, exciting and rapid-fire, the solution to the story is even more ingenious than the puzzle itself. The result is one of the most satisfying pieces of mystery fiction since the early Van Dines and Hammetts.

She is a Broadway dancer, exquisite and mercurial. He is a dedicated psychiatrist, happily married to a beautiful woman, the father of two lovely children vacationing with their mother on Martha’s Vineyard. “Good morning, sir”, she said, as she passed David Chapman on a sunny June day in Central Park. Moments later, she was locked in mortal combat with a mugger, and David came to her rescue... They tell each other some truths, but only some. They know each other’s mysteries, but only some. They slip into a realm of sensual deception and imminent danger... For who is Kate Duggan really, the woman who makes sexual fantasies come true? And who is David Chapman, the doctor who spends his day with other people’s neuroses, guilt, and lies? Now, in the heat of a New York City summer, they will learn everything — when a stalker turns their mad lust into a murderous affair.

Psichologinis detektyvas apie seserų ryšį. Apleistame Haid Parko tualete randamas Beatrisės sesers Tesės lavonas. Policija pareiškia, kad mergina nusižudė, tačiau Beatrisė, neabejodama, kad sesuo nužudyta, o policija suklydo, pradeda savarankiškai ieškoti įkalčių... Beatrisė pasiryžusi nenuleisti rankų, tačiau niekas į jos tyrimą nežiūri rimtai. Niekas, išskyrus sesers žudiką...

Best remembered for his sensational bestselling novels of the 1930s, James M. Cain may well be one of the most important, yet still misunderstood, of American authors. Among other writers and for certain critics, his reputation and singularity are unquestioned, resting on an extraordinary force of style and view of the human condition that have influenced a host of modern authors. Cain’s unique voice — hard-edged, caustically ironic, and impeccably controlled — was in fact forged through an extensive journalistic training and remains best exemplified in the compressed power of his short fiction.

Here then, timed with a major revival of interest in Cain’s work, is the first book to collect the best of his shorter work — selected short stories and sketches together with one of his finest serials, the novella published at different times under the titles “Money and the Woman” and “The Embezzler.” As taut and brilliant in its way as Cain’s most famous serial, this ingenious example of Cain’s “love rack” fiction has been out of print for many years, but reads as immediately today as when first written more than three decades ago. Equally fascinating, especially when seen within Roy Hoopes’s tracings of the development of Cain’s work, are the entertaining sketches and dialogues Cain originally wrote for journalistic publication — beautiful models of efficiency and concision stamped with Cain’s characteristic irony. We are given ten of his best, out of hundreds he wrote for the and H. L. Mencken’s Together with nine of his finest short stories — including those three Cain classics, “Pastorale,” “The Baby in the Icebox,” and “Dead Man” — this volume comprises both an ideal introduction to the work of this remarkable American author and a mandatory book for all James M. Cain fans.

Во второй том собрания сочинений Буало-Нарсежака вошли романы с запутанной и сложной интригой и психологически продуманными характерами действующих лиц. В этих романах авторы неизменно верны своему творческому методу. Главный герой повествования, от лица которого ведется рассказ, — жертва трагических обстоятельств, создаваемых безжалостными преследователями.

They won’t all live to tell the tale... An addictive and twisty standalone psychological thriller from the bestselling Alex Barclay. Seven friends. One killer. No escape... A group of childhood friends are reunited at a luxury inn on a remote west coast peninsula in Ireland. But as a storm builds outside, the dark events that marred their childhoods threaten to resurface. And when a body is discovered, the group faces a shocking realisation: a killer is among them, and not everyone will escape with their lives...

Stephen Blake comes from a long line of Galway Blakes, a family famous in history — or infamous — for jettisoning its Catholic roots to save their land from the English. As a young man he was always happiest when drinking with his mates, and a ready hand in a fight. With no particular plans in mind, he went up to study at Trinity College, and immediately afterward “took the king’s shilling” by joining the British army, and came out harder, leaner, and suspect in the eyes of his countrymen. Now nearly forty, he is a good man blown in bad directions. Out of misplaced loyalty he agrees to take part in an IRA bank heist. Doomed to failure from the start, it goes disastrously wrong when his friend is killed, and Stephen must leave Ireland, determined to reinvent himself as an American. Now he and girlfriend Siobhan, best friend Tommy, IRA terrorist Stapleton, and a particularly American sort of psychopath named Dade are all on a collision course somewhere on the road between the dive bars of New York and the pitiless desert of the Southwest.

Two teenage boys befriend an escaped bank robber — an act that changes their lives forever — in Moonchasers, a powerful short novel in the tradition of Stand by Me and To Kill a Mockingbird. Tom and Barney are only fifteen years old, and content to spend the summer sharing dime novels, monster movies, and all the other innocent pleasures Somerton, Iowa, has to offer. But when they conspire to shelter a wounded criminal who reminds them of their idol, Robert Mitchum, they set in motion a chilling chain of events that will teach them about trust, brutality, and courage. Moonchasers and Other Stories also contains several other compelling tales of suspense by Ed Gorman, including “Turn Away,” which won the Shamus Award for best detective story, and a new story that has never appeared in any previous book or collection, “Out There in the Darkness.” These and other stories make up an outstanding collection of fiction by an author who has been described by the San Diego Union as “one of the most distinctive voices in today’s crime fiction.”

Mandy Vernick is a girl with a problem. She is abused by her stepfather (with her mother’s tacit approval), and discovers that her mother is having an affair. With nowhere to turn, Mandy runs away from home, hoping to find her father in Baltimore. Vernick denies that he is Mandy’s father. Desperate and confused, the voluptuous six- teen-year-old becomes involved in a bank robbery that ends with three men dead. The Enchanted Isle has a bittersweet ending but, before Cain allows us to relax and share in Mandy’s joy, he strips the facade from a family’s carefully built house of lies and in the process keeps the reader wondering what will happen next... and to whom.

Los Angeles, 1950. Red crosscurrents: the Commie Scare and a string of brutal mutilation killings. Movieland leftists on a collision course with a grand jury investigating team. A young homicide detective obsessed with capturing a murderer of unparalleled viciousness — even though the price may be horrific self-revelation. Gangsters and cops and fixers and Hollywood grotesques in a noir novel of epic scope and depth. The Big Nowhere is the story of three men caught up in a massive web of ambition, perversion, and deceit. Danny Upshaw is a Sheriff’s deputy stuck with a bunch of snuffs nobody cares about; they’re his chance to make his name as a cop — and to sate his darkest curiosities. Mal Considine is D.A.’s Bureau brass, climbing on the Red Scare bandwagon to advance his career and to gain custody of his adopted son, a child he saved from the horror of postwar Europe. Buzz Meeks — bagman, ex-Narco goon and pimp for Howard Hughes — is fighting Communism for the money. All three men have purchased tickets to a nightmare. The Big Nowhere is dark, brutal, tender and powerful; it is a remarkably vivid portrait of a remarkable time and place. With his best-selling The Black Dahlia, James Ellroy established himself as the modern master of noir fiction; The Big Nowhere establishes him as a major American novelist.

Впервые на русском языке все романы, повести и сборники рассказов П. Буало и Т. Нарсежака, французских писателей-соавторов, всемирно признанных мастеров детективного жанра. Отказавшись от стандартного набора его атрибутов: преступление — сыщик — полицейское расследование, они, нагнетая обстановку с помощью приема «тревожного ожидания» (suspense), подводят читателя к непредсказуемому и неизменно трагическому финалу.

Если бы я была мертва, то не была бы способна видеть. Если бы я была мертва, то не была бы способна чувствовать. Если бы я была мертва, он никогда бы снова не поднял на меня руку. Если бы я была мертва, его слова не ранили бы так глубоко, как они ранят. Если бы я была мертва, то была бы красива и не была бы столь… уродлива. Я не мертва… но мне хочется умереть. Специально для группы K.N. () Рейтинг: 18+ Это темный несерийный роман. Содержит сцены насилия.

Freddy Otash was the man in the know and the man to know in ’50s L.A. He was a rogue cop, a sleazoid private eye, a shakedown artist, a pimp — and, most notably, the head strong-arm goon for Confidential magazine. Confidential presaged the idiot internet — and delivered the dirt, the dish, the insidious ink, and the scurrilous skank. It mauled misanthropic movie stars, sex-soiled socialites, and putzo politicians. Mattress Jack Kennedy, James Dean, Montgomery Clift, Burt Lancaster, Liz Taylor, Rock Hudson — Frantic Freddy outed them all. He was the Tattle Tyrant who held Hollywood hostage, and now he’s here to CONFESS. “I’m consumed with candor and wracked with recollection. I’m revitalized and resurgent. My meshugenah march down memory lane begins NOW.” In Freddy’s viciously entertaining voice, Widespread Panic torches 1950s Hollywood to the ground. It’s a blazing revelation of coruscating corruption, pervasive paranoia, and of sin and redemption with nothing in between. Here is James Ellroy in savage quintessence. Freddy Otash confesses — and you are here to read and succumb.

Terry Naughton, head of Orange County’s Crimes Against Youth unit, is the champion of children. He is their shield and their sword, their protector. He’s come up against his share of heinous criminals in his years on the force — but nothing has prepared him for the Horridus. Abducting children from their beds, dressing them like little angels, and releasing them the next day, the only clue he leaves is a piece of snakeskin tucked into the folds of their gowns. So far he hasn’t physically harmed any of them, but as Naughton well knows, it’s only a matter of time. As he races to find the madman before his crimes escalate, Naughton learns that the Horridus may not be the only enemy. When shocking (and seemingly irrefutable) accusations put his career on the line, he is forced to confront his dark and violent past in his search for the truth. Who is behind the setup? And even if he can clear his name, can he do the same for his conscience? Where Serpents Lie pits the most memorable villain since Hannibal Lecter against an equally unforgettable hero in a thriller that is not only terrifying, but rich in psychological and moral complexity. It’s a novel that will keep readers up at night, long after they’ve turned the last page.

Nocturnes: Short dark riffs, the blues formalized. James Ellroy, described by the Los Angeles Times: “Developing into one of the great American writers.” Ellroy’s L.A. Quartet novels — The Black Dahlia, The Big Nowhere, L.A. Confidential, White Jazz — an epic pop history of a toxic metropolis. Hollywood Nocturnes: An alternative Ellroy universe, etched less in blood and more in elegiac neon. Dick Contino: Accordion virtuoso, lounge lizard, Red Scare scapegoat. On a greased slide in ’58 L.A.: A show biz fatality begging to happen. Dick Contino’s Blues: Half nocturne, half torch song. A blast back to tailfins, disease-free promiscuity, sex killers, Commie-bashing, publicity kidnaps, and B-movie redemption — an ode to a time when love came cheap. Nocturnes: Noir set to music. James Ellroy: America’s great noir writer. Dick Contino: America’s kingpin accordion player, then and now. The accordion and noir?... Suspend your disbelief. Hollywood Nocturnes: The novella Dick Contino’s Blues, Ellroy’s entire short-story oeuvre, and a few surprises. Dig it, kats and kittens, chix and charlies: This is prime-time Ellroy.

Jack Hollis had finally steeled himself for what had to be done: When a man is threatening your daughter and grandson, when reason can’t stop it, when restraining orders don’t work and the police can’t help, then a father’s choices are limited. David Rakubian was vicious, abusive, powerful, deadly — and Angela’s husband. Everyone Hollis knew, the members of his family, his friends, all wanted to help save Angela. But this was something Jack had to do himself: Failure would be costly; success just as risky. Now he waited across the road from Rakubian’s house, hoping he’d get home quickly, before he lost his nerve. But Rakubian never got there, and the distraught father came up with another plan, something foolproof. Promising Rakubian a meeting with Angela so they could discuss their problems, he arranged for them to be somewhere isolated, somewhere a body could be easily disposed of, somewhere that would offer a perfect alibi. But Rakubian never got there, either. And when Hollis finally tracks him down, he discovers that someone may have done his job for him. Now he doesn’t know who to protect: There are too many people who’d wanted to help Angela, too many suspects (including himself); so many people and no one saying a word.

The End of the Night is a journey into a world of fear and violence carried to their logical extreme — murder. Not the kind of murder that society understands, the murder that comes from passion, or hatred, or love, but the murder that shakes the very foundations of our civilization — the pointless, gratuitous, casual act of killing. This is the grim and powerful story of the “Wolf Pack” murders: a group of three young men and a beautiful girl, who roam the country, killing without any apparent motive. They are caught; they are tried; they are executed. But who were they, really? Why did they do it? And who were their victims? With the skill of the master storyteller that he is, Mr. MacDonald leads us into the little hell where four people, from very different backgrounds, take refuge from the world that they do not understand, that has no meaning for them. Sander Golden, the leader of the group, is a displaced intellectual, intelligent but without real talent. Kirby Stone is a college boy, a young man from a “good” family who has been thrown into the world of adult passions before he is able to cope with them. Hernandez is a simple brute, held in check by his admiration for Golden. And Nan Koslov is the catalyst. the smoldering spark of sexual desire that ignites their brutality. Theirs is a private, dangerous world, a world of sex, narcotics. jealousy and envy — but it is theirs. Together, linked by their common frustrations, they move back and forth on the endless roads, from cheap motel to cheap motel, in a succession of stolen cars, spreading violence and death. The End of the Night is a novel of suspense and passion. It is also a remarkable attempt to probe the motives that lie behind this senseless and shocking outburst of violence. Mr. MacDonald examines the past of the young killers, looking for the cause of their revolt. He analyzes the processes of the law, right up to the moment when the State exacts the supreme penalty. And he shows how circumstances provide the victims, as accidentally as the roulette wheel chooses a number. It is a book the reader will no be able to put down until the very end; and it is one he will not forget quickly.

In the era before he created moody private investigator Matthew Scudder, burglar Bernie Rhodenbarr, sleepless spy Evan Tanner, and the amiable hit man Keller — and years before his first Edgar Award — a young writer named Lawrence Block submitted a story titled “You Can’t Lose” to Manhunt magazine. It was published, and the rest is history. One Night Stands and Lost Weekends is a sterling collection of short crime fiction and suspense novelettes penned between 1958 and 1962 by a budding young master and soon-to-be Grand Master — an essential slice of genre history, and more fun than a high-speed police chase following a bank job gone bad.