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Dredging up dirty allegations in order to gain the minority vote, a shady politician sets up three police officers, and investigative filmmaker Maggie MacGowen becomes determined to uncover the truth.

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Maggie MacGowen, who first appeared in Telling Lies, searches for the murderer of a fourteen-year-old girl named Pisces, and her investigation takes her from the streets of Los Angeles to a posh suburb.

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"Deft and moving… Telling Lies is sad, funny, genuinely big-hearted, and rendered with righteous snap." – James Ellroy

Maggie MacGowen is smart, strong, and female-three qualities which add up to the hottest trend in mystery today: the female sleuth. When Maggie's sister Emily is found gunned down in a back alley of L.A.'s Chinatown, Maggie is driven to find the culprit. She soon discovers that the shooting is tied to events some 20 years ago, during Emily's protest days.

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When her television series is abruptly canceled, investigative filmmaker Maggie MacGowen accepts a short-term contract to teach film production at a local community college-an interesting diversion, she thinks, until the next TV gig comes along. But if Maggie expects her sojourn in the ivory tower to be peaceful, she is dead wrong. Instead, she finds herself in the middle of an explosive power struggle. In the current era of budget cuts and fee increases, community college president Park Holloway arouses faculty and student animosity with his expensive building program, especially an admin building derisively nicknamed the Taj Ma'Holloway. When Maggie finds the college president hanging in the building's stairwell, suspicion falls not on her, but on her young friend Sly Miller. A world-class artist, his sculpture was supposed to be hanging in place of the body. That's only the beginning of a twisty plot dealing with the aesthetics and business of art, a billion-dollar art-for-arms deal; political corruption and cronyism; and issues of art forgery and journalistic ethics, all capped off by a stunning denouement.

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Filmmaker Maggie MacGowen learns the hard way that going home again can be deadly. While clearing out her deceased father's desk, Maggie discovers that he had locked away potential evidence in a brutal unsolved murder 30 years earlier. When she begins to ask questions of family and old friends, it emerges that there are people in that seemingly tranquil multi-ethnic Berkeley neighborhood who will go to lethal lengths to prevent the truth from coming out. With the help of her new love, Jean-Paul Bernard, Maggie uncovers secrets about the murdered Vietnamese mother of a good friend and learns how the crime affected – and continues to affect – the still close-knit neighborhood. The more she finds out, the greater the threat of violence becomes, not only for the long-time neighborhood residents, but even for Maggie herself.

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