Мосли Уолтер Скачать все книги 13 Количество книг

Следователь Джо Кинг Оливер был обвинен в сексуальном насилии, которого не совершал. Увольнение, тюрьма, поломанная жизнь, которая никогда не будет прежней… Годы спустя Джо получает письмо от женщины, которая признается, что ей заплатили за подставу детектива много лет назад. Даже если ты всю жизнь стремишься на самый верх, стоит оступиться… и ты упадешь за одно мгновение.

Ben Dibbuk has a good job, an accomplished wife, a bright college-age daughter, and a patient young mistress. Even as he goes through the motions of everyday life, however, inside he feels nothing. The explanation for this emotional void lies in the years he spent as a blacked-out drunk before pulling his life together-years in which he knows he committed acts he doesn’t remember. Then a woman from his past turns up at a gala for his wife’s new gig at a magazine called Diablerie and makes it clear that she remembers something he doesn’t. Their encounter sets wheels in motion that will propel Dibbuk toward new knowledge, and perhaps the chance to feel again.

In the fifth Leonid McGill novel, Leonid finds himself in an unusual pickle of trying to balance his cases with his chaotic personal life. Leonid’s father is still out there somewhere, and his wife is in an uptown sanitarium trying to recover from the deep depression that led to her attempted suicide in the previous novel. His wife’s condition has put a damper on his affair with Aura Ullman, his girlfriend. And his son, Twill, has been spending a lot of time out of the office with his own case, helping a young thief named Fortune and his girlfriend, Liza. Meanwhile, Leonid is approached by an unemployed office manager named Hiram Stent to track down the whereabouts of his cousin, Celia, who is about to inherit millions of dollars from her father’s side of the family. Leonid declines the case, but after his office is broken into and Hiram is found dead, he gets reeled into the underbelly of Celia’s wealthy old-money family. It’s up to Leonid to save who he can and incriminate the guilty; all while helping his son finish his own investigation; locating his own father; reconciling (whatever that means) with his wife and girlfriend; and attending the wedding of Gordo, his oldest friend.

Bestselling author Walter Mosley has proven himself a master of narrative tension, both with his extraordinary fiction and gripping writing for television. The Awkward Black Man collects seventeen of Mosley’s most accomplished short stories to showcase the full range of his remarkable talent. Mosley presents distinct characters as they struggle to move through the world in each of these stories — heroes who are awkward, nerdy, self-defeating, self-involved, and, on the whole, odd. He overturns the stereotypes that corral black male characters and paints a subtle, powerful portrait of each of these unique individuals. In “The Good News Is,” a man’s insecurity about his weight gives way to a serious illness and the intense loneliness that accompanies it. Deeply vulnerable, he allows himself to be taken advantage of in return for a little human comfort in a raw display of true need. “Pet Fly,” previously published in the New Yorker, follows a man working as a mailroom clerk for a big company — a solitary job for which he is overqualified — and the unforeseen repercussions he endures when he attempts to forge a connection beyond the one he has with the fly buzzing around his apartment. And “Almost Alyce” chronicles failed loves, family loss, alcoholism, and a Zen approach to the art of begging that proves surprisingly effective. Touching and contemplative, each of these unexpected stories offers the best of one of our most gifted writers.

Walter Mosley’s acclaimed Easy Rawlins mysteries are not only best-selling crime thrillers; they are also serious novels of depth and complexity that open up the physical, social, and moral landscape of postwar Los Angeles to probing examination. So the publication of his first nongenre novel, RL’s Dream, is in every way a literary event. RL’s Dream is a novel about the blues — the blues as an expression of black poetry and black tragedy and how they sit in judgment on the American experience. In contemporary New York, aging bluesman Soupspoon Wise is alone, ill, and dying. He has played his music in a thousand bars, clubs, and juke joints, but never so memorably as the time he played with one Robert “RL” Johnson in the Mississippi delta. That brief, indelible encounter with the great genius of country blues haunts Soupspoon, much as Johnson himself is said to have been possessed by Satan. And so Soupspoon proceeds to tell his story to Kiki Waters, the young white woman who has taken him in, another refugee from a South she can neither deny nor escape. As these two unforgettable characters come to terms with the difficult legacy of the past, Walter Mosley shapes their story into a prose ballad — a blues — of pain and redemption. As in his mysteries, he breathes life into folks who live on the margins of American life, teaching us that we can’t know who we are until we remember where we came from. RL’s Dream sings.

In a Las Vegas hotel room, a man awakes to confront his destiny Dreaming, Jack hears voices: a frightened child in a hospital, a woman cheating on her husband, a death-row inmate. When he wakes, the voices recede, but they do not vanish. He is in a luxurious hotel room on the Vegas strip, and his body is covered in scars. Jack Strong is a patchwork man, his flesh melded together from dozens of men and women, and his mind is the same way. Countless lifetimes are contained within him: people whose time was cut short, and who see their place in Jack as a chance to make things right. On behalf of one of them, Jack reignites a feud with corrupt casino bosses. Drawing on the skills of another, he beats the life out of two bodyguards. Jack fights for control as he lurches from impulse to impulse, certain that somewhere within him exists a soul. The answers may lie with whomever is tailing him in a sleek black car — if Jack can somehow confront him.

When friend of the family and multi-billionaire Roger Ferris comes to Joe with an assignment, he’s got no choice but to accept, even if the case is a tough one to stomach. White nationalist Alfred Xavier Quiller has been accused of murder and the sale of sensitive information to the Russians. Ferris has reason to believe Quiller’s been set up and he needs King to see if the charges hold. This linear assignment becomes a winding quest to uncover the extent of Quiller’s dealings, to understand Ferris’ skin in the game, and to get to the bottom of who is working for whom. Even with the help of bodyguard and mercenary Oliya Ruez — no regular girl Friday — the machine King’s up against proves relentless and unsparing. As King gets closer to exposing the truth, he and his loved ones barrel towards grave danger. Mosley once again proves himself a "master of craft and narrative" (National Book Foundation) in this carefully plotted mystery that is at once a classic caper, a family saga and an examination of fealty, pride and how deep debt can go.

From innovative bestselling novelist Walter Mosley comes the return of Leonid McGill: a morally ambiguous P.I. whose clients are society’s most downtrodden. Leonid McGill’s has spent a lifetime building his reputation as a private investigator in New York. His seemingly infallible instincts and his inside knowledge of the crime world make him the ideal man to help when Phillip “Catfish” Worry comes knocking. Catfish is a ninety-four-year-old Mississippi bluesman who needs Leonid’s help with a simple task: deliver a letter revealing the black lineage of a wealthy heiress and her corrupt father. The opportunity to do a simple favor while shocking the prevailing elite is impossible for Leonid to resist. But when a famed and feared assassin puts out a hit on Catfish, Leonid has no choice but to confront the ghost of his own felonious past. Working to protect his client, and his own family, Leonid needs to reach the heiress on the eve of her wedding before her powerful father kills those who hold their family’s secret. Joined by a team of young and tough a spring investigators, Leonid must gain the trust of wary socialites, outsmart vengeful thugs, and, above all, serve the truth — no matter the cost.

In a brilliant departure for Walter Mosley, author of the bestselling Easy Rawlins mystery series, imagines a world in which human potential is suddenly, amazingly fulfilled — a change that calls into question the meaning of human differences and the ultimate purpose and fate of the human race. From an unknown point in the universe, an inscrutable blue light approaches our solar system. When it reaches Earth, it transforms those it strikes, causing them instantaneously to evolve beyond the present state of humanity. Each person imbued with the light becomes the full realization of his or her nature and potential, with strengths, understanding, and communication abilities far beyond our imagining. is the story of these people and their transformation. Narrated by Chance, a biracial man whose entire life has been a struggle for self-definition, the novel traces the desperate conflict of the “Blues” with one of their own, a man who — struck by the light at the moment he expired — has become the living embodiment of death. Written as a kind of gospel in which Chance describes the wanderings of this tribe and their ultimate, apocalyptic battle, the account is also full of his uncertainties — about his own place in this strange new world and about whether he may be recording the beginning of the end of the human race.

A convention-defying novel by bestselling writer Walter Mosley, John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor — while the legacy of a hideous crime lurks in the shadows. At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father’s job at a silent film theater in New York’s East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself — as Professor John Woman, a man who will spread Herman’s teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past. Engaging with some of the most provocative ideas of recent intellectual history, John Woman is a compulsively readable, deliciously unexpected novel about the way we tell stories, and whether the stories we tell have the power to change the world.

Joe King Oliver was one of the NYPD’s finest investigators, until, dispatched to arrest a well-heeled car thief, he is framed for assault by his enemies within the NYPD, a charge which lands him in solitary at Rikers Island. A decade later, King is a private detective, running his agency with the help of his teenage daughter, Aja-Denise. Broken by the brutality he suffered and committed in equal measure while behind bars, his work and his daughter are the only light in his solitary life. When he receives a card in the mail from the woman who admits she was paid to frame him those years ago, King realizes that he has no choice but to take his own case: figuring out who on the force wanted him disposed of — and why. Running in parallel with King’s own quest for justice is the case of a Black radical journalist accused of killing two on-duty police officers who had been abusing their badges to traffic in drugs and women within the city’s poorest neighborhoods. Joined by Melquarth Frost, a brilliant sociopath, our hero must beat dirty cops and dirtier bankers, craven lawyers, and above all keep his daughter far from the underworld in which he works. All the while, two lives hang in the balance: King’s client’s, and King’s own.

Герой серии романов Уолтера Мосли – чернокожий ветеран Второй мировой войны Изи Роулинс. Дабы заработать на хлеб насущный, он становится частным детективом и окунается в гущу преступного мира, опускаясь на самое дно послевоенного Лос-Анджелеса.

Sovereign James wakes up one morning to discover that he’s gone blind. Sovereign’s doctors can’t find anything wrong with him, nor does he remember any physical or psychological trauma. Unless his sight returns, Sovereign has reached the end of his 25-year career in human resources. A couple of weeks later he is violently mugged on the street. His sight briefly, miraculously returns during the attack: for a few seconds, he can see as well as hear a young female bystander’s cries of distress. Now he must grapple with two questions: What caused him to lose his vision — and, perhaps more troubling, why does violence restore it? As Sovereign searches for the woman he glimpsed, he will come to question everything he valued about his former life.