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Now Robert B. Parker, author of the Spenser detective novels and foremost interpreter of the Chandler tradition, embarks once again into Chandler territory with an all-new sequel to the 1939 classic The Big Sleep. Set in the sun-drenched streets and on the lush hillsides of Los Angeles, Perchance to Dream takes private eye Philip Marlowe deeper than ever into labyrinths of crime, duplicity, and murder. After the death of General Guy Sternwood, his daughter Vivian sends her psychotic sister, Carmen, to a sanatorium. Carmen’s sudden disappearance from the hospital leads Vivian to turn in desperation to Eddie Mars, a shady underworld club owner. Concerned for what is happening to the family, the Sternwoods’ butler asks Marlowe to find Carmen and fend off Eddie Mars once again. Through it all, Marlowe presses for the truth, a tough, shop-soiled Galahad. In Perchance to Dream, Parker adds a major new work to the Philip Marlowe canon — a novel of high suspense, action, and pure entertainment.

Robert B. Parker’s iconic and irresistible PI Sunny Randall is back, and the stakes are higher than ever as she races to protect her ex-husband — and his Mafia family — from the vengeful plan of a mysterious rival. Sunny Randall is “on” again with Richie, the ex-husband she never stopped loving and never seemed to be able to let go, despite her discomfort with his Mafia connections. When Richie is shot and nearly killed, Sunny is dragged into the thick of his family’s business as she searches for answers and tries to stave off a mob war. But as the bullets start flying in Boston’s mean streets, Sunny finds herself targeted by the deranged mastermind of the plot against the Burke family, whose motive may be far more personal than she could have anticipated...

Appaloosa, the hometown of Territorial Marshals Virgil Cole and Everett Hitch, continues to prosper, but with prosperity comes a slew of new trouble: carpetbaggers, gamblers, migrants, peddlers, drifters, thieves, and whores, all boiling in a cauldron of excess and greed. And there’s a new menace in town: a wealthy, handsome easterner — and the owner of Appaloosa’s new casino — Boston Bill Black. Boston Bill is flashy and bigger than life. He’s a prankster and a notorious womanizer, and with eight notches on the handle of his Colt, he’s rumored quick on the draw. When he finds himself wanted for a series of murders, he quickly vanishes. Cole and Hitch locate and arrest him, but Boston Bill escapes once again. Another murder sets the duo on his trail, eventually taking them back to Appaloosa — where one woman in particular may — or may not — prove to be the apple of Boston Bill’s eye.

When two seemingly unconnected mysterious deaths occur on his watch, police chief Jesse Stone must pull out all the stops to unravel the truth and stop a killer from striking again. The small town of Paradise is devastated when a star high-school baseball player is found dead at the bottom of a bluff just a day after winning the team’s biggest game. For Jesse, the loss is doubly difficult — the teen was the nephew of his colleague, Suitcase Simpson, and Jesse had been coaching the young shortstop. As he searches for answers about how the boy died and why, he is stonewalled at every turn, and it seems that someone is determined to keep him from digging further. Jesse suddenly must divide his attention between two cases after the shocking murder of former Paradise police chief, Charlie Farrell. Before his death, Farrell had been looking into a series of scam calls that preyed upon the elderly. But how do these “ghost calls” connect to his murder? When threats — and gunshots — appear on Jesse’s own doorstep, the race to find answers is on. Both old and new enemies come into play, and in the end, Jesse and his team must discover the common factor between the two deaths in order to prevent a third.

Spenser dies — and lives to tell the tale — in Robert B. Parker’s stunning new bestseller. “Spenser proves himself once more a modern-day knight in shining armor,” cheered Publishers Weekly of Robert B. Parker’s most recent New York Times bestseller, Chance. And, said The New York Times Book Review, “Parker’s stouthearted hero proves that he is still as tough and manly as they come, and more principled than ever." With Small Vices, Parker adds another masterpiece to the private-eye canon, a novel that is both galvanizing action-suspense and a complex meditation on morality and mortality, as Spenser’s very future hangs in the balance. Ellis Alves is a bad kid from the ’hood with a long, long record, but did he really murder Melissa Henderson, a white coed from ritzy Pemberton College? Alves’s former lawyers think he was framed, and they hire Spenser to uncover the truth. As he and longtime associate Hawk race front the back streets of Boston to Manhattan’s most elegant avenues, Spenser gets a postgraduate course in the seamy side of life — an ethical no-man’s-land where twisted cops and spoiled rich kids with peculiar private proclivities are just the tip of the iceberg. The stakes abruptly shift from corruption to catastrophe when a master assassin’s bullets take Spenser down. He survives the attack — barely — but must play dead to the world, while recovering his strength hiding in secret. Only then can he see justice done — and let the shooter know that it’s payback time. Wonderfully wry and powerfully affecting, Small Vices is a splendid showcase for Robert B. Parker’s prodigious talents.

Called upon by the Hammond Museum and renowned art scholar Dr. Ashton Prince, Spenser accepts his latest case: to provide protection during a ransom exchange — money for a stolen painting. The case becomes personal when Spenser fails to protect his client and is unable to recover the valuable painting. Convinced that Ashton Prince played a bigger role than just ransom delivery boy, Spenser enters into a daring game of cat-and-mouse with the thieves. But this is a game he might not come out of alive... Completed the year before the author passed away, Painted Ladies is Spenser and Robert B. Parker at their electrifying best.

This is a love story. It is true. It has a happy ending. It is a story about a man and a woman, about breast cancer and mastectomy and recovery. It is about courage and self control, about unity, about compassion, about Joan Parker and her husband and their sons. It is about family and triumph and pervading tenderness. It is about love. In Three Weeks in Spring, the Parkers tell us, with a novelist’s skill, the way it was in April when Joan got sick. The way the fear escalated, the way they had to control it, and keep it in, and fight it off. Was it cancer? Would it spread? Would she die? Three Weeks in Spring speaks of pain, and fear. But it speaks ultimately about strength and the power of love. It is a book filled with humor and with an unbreakable will to laugh. The good guys win in this book. And to follow the Parkers through fear and laughter and growing elation during three weeks in a recent spring is to share in the victory.

The woman on the bed was barely out of her teens. She hadn’t been exactly beautiful, but she’d tried to make the most of her looks. Now, defiled and alone in a seedy beachfront motel, she was dead. And Paradise police chief Jesse Stone doesn’t even know her name. Whoever she is, she didn’t deserve to die. State police captain Healy’s resources turn up nothing helpful, and Gino Fish, who knows his way around dark places, is characteristically uncooperative. Unwilling to take no for an answer, Jesse continues digging on his own, only to find himself caught in the crosshairs of a bitter turf war between two ruthless pimps, Thomas Walker and Fat Boy Nelly, a beautiful woman to whom they both lay claim. Jesse tries for a diplomatic solution, but before it’s over, more blood will spill.

When a popular high school cheerleader dies of a suspected heroin overdose, it becomes clear that the opioid epidemic has spread even to the idyllic town of Paradise. It will be up to police chief Jesse Stone to unravel the supply chain and unmask the criminals behind it, and the investigation has a clear epicenter: Paradise High School. Home of the town’s best and brightest future leaders and its most vulnerable down-and-out teens, it’s a rich and bottomless market for dealers out of Boston looking to expand into the suburbs. But when it comes to drugs, the very people Jesse is trying to protect are often those with the most to lose. As he digs deeper into the case, he finds himself battling self-interested administrators, reluctant teachers, distrustful schoolkids, and overprotective parents... and at the end of the line are the true bad guys, the ones with a lucrative business they’d kill to protect.

THE LAST SPENSER NOVEL COMPLETED BY ROBERT B. PARKER　 With Sixkill, the thirty-ninth novel in the venerable, bestselling Spenser series, the Boston P.I. meets Zebulon Sixkill, a young man whose lack of discipline is more than made up for by his quick way with a gun. Though this is the last Spenser novel Parker completed, readers will rejoice to find the tough-but-tender gumshoe at his roguish, crime-stopping best. On location in Boston, bad-boy actor Jumbo Nelson is accused of the rape and murder of a young woman. From the start the case seems fishy, so the Boston PD calls on Spenser to investigate. The situation doesn't look good for Jumbo, whose appetites for food, booze, and sex are as outsized as his name. He was the studio's biggest star, but he's become their biggest liability. In the course of the investigation, Spenser encounters Jumbo's bodyguard: a young, former football-playing Native American named Zebulon Sixkill. Sixkill acts tough, but Spenser sees something more within the young man. Despite the odd circumstances, the two forge an unlikely alliance, with Spenser serving as mentor for Sixkill. As the case grows darker and secrets about both Jumbo and the dead girl come to light, it's Spenser — with Sixkill at his side — who must put things right.

There is something evil in the air... Everything is new for Bobby Murphy. It is a new school year with a pretty new teacher, Miss Delaney. He and his buddies have just formed a new basketball team, the Edenville Owls. And then there are all these new feelings for his old friend Joanie. Suddenly, their friendship feels different. Times are changing, and as World War II has just come to an end, life in Edenville is no longer so simple — especially for Bobby. The Owls need a leader to take them to the state championships. Joanie has started dating his teammate Nick. And if things aren’t complicated enough, Bobby sees Miss Delaney arguing with a suspicious-looking man. Could he be responsible for the bruises on her face? Bobby senses that Miss Delaney is in real danger, but is there any way for a fourteen-year-old like him to help her? He will have to find it. It is time for Bobby to be strong. There is something evil in the air.

Boone Adams met Jennifer Grayle when they were both eighteen and lost her when they were both twenty-two. His life from that point was a steady descent through the circles of American culture until he hit bottom in Los Angeles ten years later. Now he has nothing left but his love for Jennifer, a love that has remained unsullied and still, the eye at the center of his hurricane, his only stay against confusion. It saves him. Slowly, with agonizing effort, he comes back — across the country, across the years, across the despair that nearly destroyed him, sustained only by his determination to get Jennifer back. Love and Glory is a story of love and commitment and regeneration, told in the language of our time and set among the artifacts of recent American culture. In prose that often soars Love and Glory speaks not only of desolation but of possibility. It speaks not only of Boone and Jennifer but of America, and it hints, obliquely, that perhaps we are not merely “boats against the current, borne back ceaselessly into the past”.

All Our Yesterdays opens amid the violence and tumult of 1920s Ireland with Conn Sheridan, a reckless young IRA captain. Conn’s forbidden affair with Hadley Winslow, a Boston tycoon’s wife, initiates a dangerous entanglement of desire and blackmail between two families that will span three generations. When a shattering betrayal forces Conn to flee Ireland, he begins a new life in America as a Boston cop. There the violence and obsessions of Conn’s past continue to haunt him as he marries and has a son, Gus. Gus Sheridan will follow his father into the police force, rising to head the city’s homicide division. He will also inherit his father’s daredevil toughness, dangerous obsessions — and a cool reserve softened only by his unspoken love for his own son, Chris. And it is Chris Sheridan, a young special prosecutor, who will close the circle of treachery and betrayal that began with his grandfather in Ireland. For Chris Sheridan will uncover, piece by piece, the shocking truth about his family’s past and even about Grace, the beautiful, sophisticated Boston woman he wants to marry. Grand in scope, All Our Yesterdays creates a living, breathing portrait of an era... and of two families who must come to terms with their heritage, and with the violence, the obsessions, and the deceit that both define and haunt them.

When a shy high school student's body is found washed up on the shore of a quiet New England beach town - an alleged suicide linked to steroids - fifteen-year-old boxer-in-training Terry Novak isn't quite sure what to think. Something just doesn't add up. Artsy and withdrawn, Jason wasn't exactly the type to be doing ’roids. So Terry, with the help of his friend, Abby decides to do some investigating of his own. It doesn't take long, though, before they learn that asking questions puts them in grave danger and that survival is going to be a fight. Fortunately, Terry has learned a thing or two about fighting. Robert B. Parker, New York Times bestselling author of the Spenser novels, packs a punch with this taut, empowering mystery for young readers.

Territorial marshals Virgil Cole and Everett Hitch figured things had finally settled down in Appaloosa when Boston Bill Black’s murder charge was dropped. But all that changed when Augustus Noble Driggs was transferred to a stateside penitentiary just across the border from Mexico. Square-jawed, handsome, and built like a muscled thoroughbred stallion, Driggs manages to intimidate everyone inside the prison walls, including the upstart young warden. In a haunting twist of fate, Driggs and a pack of cold-blooded convicts are suddenly on the loose — and it’s up to any and all territorial lawmen, including Cole and Hitch, to capture the fugitives and rescue the woman kidnapped during their escape. But nothing is ever quite what it seems with the ever-elusive Driggs. Finally free, he’s quickly on his own furious hunt for a hidden cache of gold and jewels — and for the men who betrayed him and left him for dead. With an unlikely and unconventional Yankee detective by their side, Cole and Hitch set off on a massive manhunt. As horses’ hooves thunder and guns echo deadening reports, Driggs discovers one of the lawmen on his trail is none other than a fellow West Point graduate he’d just as soon see dead. Ruthless and willing to leave a bloody path of destruction in his wake, Driggs seeks vengeance at any cost.

It is 1947, the year Jackie Robinson breaks major-league baseball’s color barrier by playing for the Brooklyn Dodgers — and changes the world. This is the story of that season, as told through the eyes of a difficult, brooding, and wounded man named Joseph Burke. Burke, a veteran of World War II and a survivor of Guadalcanal, is hired by Brooklyn Dodgers manager Branch Rickey to guard Robinson. While Burke shadows Robinson, a man of tremendous strength and character suddenly thrust into the media spotlight, the bodyguard must also face some hard truths of his own, in a world where the wrong associations can prove fatal.

Following on the heels of the bestselling Jesse Stone returns in a breathtaking novel of death and deception. Stiles Island is a wealthy and exclusive enclave separated by a bridge from the Massachusetts coast town of Paradise. James Macklin sees the island as the ultimate investment opportunity: all he needs to do is invade it, blow the bridge, and loot the island. To realize his scheme, Macklin, along with his devoted girlfriend, Faye, assembles a crew of fellow ex-cons — all experts in their fields — including Wilson Cromartie, a fearsome Apache. Macklin is a bad man, a very bad man. And Cromartie, known as Crow, is even worse. As Macklin plans his crime, Paradise police chief Jesse Stone has his hands full. He faces romantic entanglements in triplicate: his ex-wife, Jenn, is in the Paradise jail for assault, he’s begun a new relationship with a Stiles Island realtor named Marcy Campbell, and he’s still sorting out his feelings for attorney Abby Taylor. When Macklin’s attack on Stiles Island is set in motion, both Marcy and Abby are put in jeopardy. As the casualties mount, it’s up to Jesse to keep both women from harm.