Giono Jean Скачать все книги 2 Количество книг

The Serpent of Stars (Le serpent d'étoiles, 1993; reprinted 1999 Grasset) takes place in rural southern France in the early part of the century. The novel’s elusive narrative thread ties landscape to character to an expanse just beyond our grasp. The narrator encounters a shepherding family and glimpse by glimpse, each family member and the shepherding way of life is revealed to us. The novel culminates in a large shepherds’ gathering where a traditional Shepherd’s Play — a kind of creation myth that includes in its cast The River, The Sea, The Man, and The Mountain — is enacted. The work’s proto-environmental world view as well as its hybrid form — part play, part novel — makes The Serpent of Stars astonishingly contemporary. W.S. Merwin’s "Green Fields" begins, "By this part of the century few are left who believe/in the animals for they are not there in the carved parts/of them served on plates and the pleas from slatted trucks…" This novel leaves the reader believing not only in the animals, but the terrain they are part of, the people who tend them, and the life all these elements together compose.

Deep in Provence, a century ago, four stone houses perch on a hillside. Wildness presses in from all sides. Beyond a patchwork of fields, a mass of green threatens to overwhelm the village. The animal world — a miming cat, a malevolent boar — displays a mind of its own.

The four houses have a dozen residents — and then there is Gagou, a mute drifter. Janet, the eldest of the men, is bedridden; he feels snakes writhing in his fingers and speaks in tongues. Even so, all is well until the village fountain suddenly stops running. From this point on, humans and the natural world are locked in a life-and-death struggle. All the elements — fire, water, earth, and air — come into play.

From an early age, Jean Giono roamed the hills of his native Provence. He absorbed oral traditions and, at the same time, devoured the Greek and Roman classics. , his first novel and the first winner of the Prix Brentano, comes fully back to life in Paul Eprile’s poetic translation.