al-Koni Ibrahim Скачать все книги 4 Количество книг

Upon the death of their leader, a group of Tuareg, a nomadic Berber community whose traditional homeland is the Sahara Desert, turns to the heir dictated by tribal custom; however, he is a poet reluctant to don the mantle of leadership. Forced by tribal elders to abandon not only his poetry but his love, who is also a poet, he reluctantly serves as leader. Whether by human design or the meddling of the Spirit World, his death inspires his tribe to settle down permanently, abandoning not only nomadism but also the inherited laws of the tribe. The community they found, New Waw, which they name for the mythical paradise of the Tuareg people, is also the setting of Ibrahim al-Koni's companion novel, The Puppet.

For al-Koni, this Tuareg tale of the tension between nomadism and settled life represents a choice faced by people everywhere, in many walks of life, as a result of globalism. He sees an inevitable interface between myth and contemporary life.

This mythic tale of greed and political corruption by award-winning novelist Ibrahim al-Koni tells a gripping, expertly crafted story of bloody betrayal and revenge inspired by gold lust and an ancient love affair.

A Tuareg youth ventures into trackless desert on a life-threatening quest to find the father he remembers only as a shadow from his childhood, but the spirit world frustrates and tests his resolve. For a time, he is rewarded with the Eden of a lost oasis, but eventually, as new settlers crowd in, its destiny mimics the rise of human civilization. Over the sands and the years, the hero is pursued by a lover who matures into a sibyl-like priestess. The Libyan Tuareg author Ibrahim al-Koni, who has earned a reputation as a major figure in Arabic literature with his many novels and collections of short stories, has used Tuareg folklore about Anubis, the ancient Egyptian god of the underworld, to craft a novel that is both a lyrical evocation of the desert's beauty and a chilling narrative in which thirst, incest, patricide, animal metamorphosis, and human sacrifice are more than plot devices. The novel concludes with Tuareg sayings collected by the author in his search for the historical Anubis from matriarchs and sages during trips to Tuareg encampments, and from inscriptions in the ancient Tifinagh script in caves and on tattered manuscripts. In this novel, fantastic mythology becomes universal, specific, and modern.

"The Scarecrow" is the final volume of Ibrahim al-Koni's Oasis trilogy, which chronicles the founding, flourishing, and decline of a Saharan oasis. Fittingly, this continuation of a tale of greed and corruption opens with a meeting of the conspirators who assassinated the community's leader at the end of the previous novel, "The Puppet." They punished him for opposing the use of gold in business transactions-a symptom of a critical break with their nomadic past-and now they must search for a leader who shares their fetishistic love of gold. A desert retreat inspires the group to select a leader at random, but their "choice," it appears, is not entirely human. This interloper from the spirit world proves a self-righteous despot, whose intolerance of humanity presages disaster for an oasis besieged by an international alliance. Though al-Koni has repeatedly stressed that he is not a political author, readers may see parallels not only to a former Libyan ruler but to other tyrants-past and present-who appear as hollow as a scarecrow.