Jin Ha Скачать все книги 3 Количество книг

"Achingly beautiful…Ha Jin depicts the details of social etiquette, of food, of rural family relationships and the complex yet alarmingly primitive fabric of provincial life with that absorbed passion for minutiae characteristic of Dickens and Balzac." – Los Angeles Times Book Review

"A vivid bit of storytelling, fluid and earthy…Reminiscent of Hemingway in its scope, simplicity and precise language… A graceful human allegory." – Chicago Sun-Times

"A subtle beauty… A sad, poignantly funny tale." – The Boston Sunday Globe

"Impeccably deadpan… Waiting turns, page by careful page, into a deliciously comic novel." – Time

"Spare but compelling…Jin's craftsmanship and grasp of the universal language of the human heart make the book a worthwhile read." – USA Today

"A wry, lovely novel…Unexpectedly moving…So quietly and carefully told that…we read on patiently, pleasantly distracted, wondering when something will happen. Only when we've finished do we understand just how much has, and how much waiting can be its own painful reward." -Newsday

"Enlightening…a delicate rendering of the universal complications of love…Ha Jin's natural storytelling quietly captures the texture of daily life in a dual Chinese culture…No detail is extraneous in this sad, funny, and often wise novel." – The Village Voice Literary Supplement

"Remarkable… compellingly ingenious… gorgeously cinematic." – The Philadelphia Inquirer

"A wonderfully ironic novel… complex and sad as life…It captures the difficulties of love in totalitarian China with sharp prose and a convincing portrayal of human vagaries." – Minneapolis Star Tribune

"Subtle and complex… his best work to date. A moving meditation on the effects of time upon love." – The Washington Post

"[Jin] reveals some startlingly original insights on human life and love…in a narrative that dazzles the reader with its simplicity and grace." -The Providence Sunday Journal

"[Waiting is] a masterpiece of realism and a work of ironic allegory, its mystifying, foreign world full of characters who grow more familiar with every page…Through an accumulation of small, deft brushstrokes, 20th century China is superimposed onto the landscape of an ancient, painted scroll." -The Plain Dealer

"A high achievement indeed." – The New York Review of Books

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This novel tells the story of Lin Kong, a man living in two worlds, struggling with the conflicting claims of two utterly different women, as he moves through the political minefields of a society designed to regulate his every move.

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Amazon.com Review

"Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu." Like a fairy tale, Ha Jin's masterful novel of love and politics begins with a formula-and like a fairy tale, Waiting uses its slight, deceptively simple framework to encompass a wide range of truths about the human heart. Lin Kong is a Chinese army doctor trapped in an arranged marriage that embarrasses and repels him. (Shuyu has country ways, a withered face, and most humiliating of all, bound feet.) Nevertheless, he's content with his tidy military life, at least until he falls in love with Manna, a nurse at his hospital. Regulations forbid an army officer to divorce without his wife's consent-until 18 years have passed, that is, after which he is free to marry again. So, year after year Lin asks his wife for his freedom, and year after year he returns from the provincial courthouse: still married, still unable to consummate his relationship with Manna. Nothing feeds love like obstacles placed in its way-right? But Jin's novel answers the question of what might have happened to Romeo and Juliet had their romance been stretched out for several decades. In the initial confusion of his chaste love affair, Lin longs for the peace and quiet of his "old rut." Then killing time becomes its own kind of rut, and in the end, he is forced to conclude that he "waited eighteen years just for the sake of waiting."

There's a political allegory here, of course, but it grows naturally from these characters' hearts. Neither Lin nor Manna is especially ideological, and the tumultuous events occurring around them go mostly unnoticed. They meet during a forced military march, and have their first tender moment during an opera about a naval battle. (While the audience shouts, "Down with Japanese Imperialism!" the couple holds hands and gazes dreamily into each other's eyes.) When Lin is in Goose Village one summer, a mutual acquaintance rapes Manna; years later, the rapist appears on a TV report titled "To Get Rich Is Glorious," after having made thousands in construction. Jin resists hammering ideological ironies like these home, but totalitarianism's effects on Lin are clear:

Let me tell you what really happened, the voice said. All those years you waited torpidly, like a sleepwalker, pulled and pushed about by others' opinions, by external pressure, by your illusions, by the official rules you internalized. You were misled by your own frustration and passivity, believing that what you were not allowed to have was what your heart was destined to embrace.

Ha Jin himself served in the People's Liberation Army, and in fact left his native country for the U.S. only in 1985. That a non-native speaker can produce English of such translucence and power is truly remarkable-but really, his prose is the least of the miracles here. Improbably, Jin makes an unconsummated 18-year love affair loom as urgent as political terror or war, while history-changing events gain the immediacy of a domestic dilemma. Gracefully phrased, impeccably paced, Waiting is the kind of realist novel you thought was no longer being written.

From Publishers Weekly

Jin's quiet but absorbing second novel (after In the Pond) captures the poignant dilemma of an ordinary man who misses the best opportunities in his life simply by trying to do his duty – as defined first by his traditional Chinese parents and later by the Communist Party. Reflecting the changes in Chinese communism from the '60s to the '80s, the novel focuses on Lin Kong, a military doctor who agrees, as his mother is dying, to an arranged marriage. His bride, Shuyu, turns out to be a country woman who looks far older than her 26 years and who has, to Lin's great embarrassment, lotus (bound) feet. While Shuyu remains at Lin's family home in Goose Village, nursing first his mother and then his ailing father, and bearing Lin a daughter, Lin lives far away in an army hospital compound, visiting only once a year. Caught in a loveless marriage, Lin is attacted to a nurse, Manna Wu, an attachment forbidden by communist strictures. According to local Party rules, Lin cannot divorce his wife without her permission until they have been separated for 18 years. Although Jin infuses movement and some suspense into Lin's and Manna's sometimes resigned, sometimes impatient waiting – they will not consummate their relationship until Lin is free – it is only in the novel's third section, when Lin finally secures a divorce, that the story gathers real force. Though inaction is a risky subject and the thoughts of a cautious man make for a rather deliberate prose style (the first two sections describe the moments the characters choose not to act), the final chapters are moving and deeply ironic, proving again that this poet and award-winning short story writer can deliver powerful long fiction about a world alien to most Western readers. (Oct.) FYI: Jin served six years in the People's Liberation Army, and came to the U.S. in 1985.

From Publishers Weekly

Ha Jin, who emigrated from China in the aftermath of Tiananmen Square, had only been writing in English for 12 years when he won the National Book Award for Waiting in 1999. His latest novel sheds light on an émigré writer's woodshedding period. It follows the fortunes of Nan Wu, who drops out of a U.S. grad school after the repression of the democracy movement in China, hoping to find his voice as a poet while supporting his wife, Pingping, and son, Taotao. After several years of spartan living, Nan and Pingping save enough to buy a Chinese restaurant in suburban Atlanta, setting up double tensions: between Nan's literary hopes and his career, and between Nan and Pingping, who, at the novel's opening, are staying together for the sake of their young boy. While Pingping grows more independent, Nan -amid the dulling minutiae of running a restaurant and worries about mortgage payments, insurance and schooling-slowly snuffs the torch he carries for his first love. That Nan at one point reads Dr. Zhivago isn't coincidental: while Ha Jin's novel lacks Zhivago's epic grandeur, his biggest feat may be making the reader wonder whether the trivialities of American life are not, in some ways, as strange and barbaric as the upheavals of revolution.

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From the award-winning author of Waiting, a new novel about a family's struggle for the American Dream.

Meet the Wu family-father Nan, mother Pingping, and son Taotao. They are arranging to fully sever ties with China in the aftermath of the 1989 massacre at Tiananmen Square, and to begin a new, free life in the United States. At first, their future seems well-assured. But after the fallout from Tiananmen, Nan 's disillusionment turns him toward his first love, poetry. Leaving his studies, he takes on a variety of menial jobs as Pingping works for a wealthy widow as a cook and housekeeper. As Pingping and Taotao slowly adjust to American life, Nan still feels a strange attachment to his homeland, though he violently disagrees with Communist policy. But severing all ties-including his love for a woman who rejected him in his youth-proves to be more difficult than he could have ever imagined.

From Publishers Weekly

Jin (Waiting; The Crazed; etc.) applies his steady gaze and stripped-bare storytelling to the violence and horrifying political uncertainty of the Korean War in this brave, complex and politically timely work, the story of a reluctant soldier trying to survive a POW camp and reunite with his family. Armed with reams of research, the National Book Award winner aims to give readers a tale that is as much historical record as examination of personal struggle. After his division is decimated by superior American forces, Chinese "volunteer" Yu Yuan, an English-speaking clerical officer with a largely pragmatic loyalty to the Communists, rejects revolutionary martyrdom and submits to capture. In the POW camp, his ability to communicate with the Americans thrusts him to the center of a disturbingly bloody power struggle between two factions of Chinese prisoners: the pro-Nationalists, led in part by the sadistic Liu Tai-an, who publicly guts and dissects one of his enemies; and the pro-Communists, commanded by the coldly manipulative Pei Shan, who wants to use Yu to save his own political skin. An unofficial fighter in a foreign war, shameful in the eyes of his own government for his failure to die, Yu can only stand and watch as his dreams of seeing his mother and fiancée again are eviscerated in what increasingly looks like a meaningless conflict. The parallels with America 's current war on terrorism are obvious, but Jin, himself an ex-soldier, is not trying to make a political statement. His gaze is unfiltered, camera-like, and the images he records are all the more powerful for their simple honesty. It is one of the enduring frustrations of Jin's work that powerful passages of description are interspersed with somewhat wooden dialogue, but the force of this story, painted with starkly melancholy longing, pulls the reader inexorably along.

From The New Yorker

Ha Jin's new novel is the fictional memoir of a Chinese People's Volunteer, dispatched by his government to fight for the Communist cause in the Korean War. Yu Yuan describes his ordeal after capture, when P.O.W.s in the prison camp have to make a wrenching choice: return to the mainland as disgraced captives, or leave their families and begin new lives in Taiwan. The subject is fascinating, but in execution the novel often seems burdened by voluminous research, and it strains dutifully to illustrate political truisms. In a prologue, Yuan claims to be telling his story in English because it is "the only gift a poor man like me can bequeath his American grandchildren." Ha Jin accurately reproduces the voice of a non-native speaker, but the labored prose is disappointing from an author whose previous work – "Waiting" and " Ocean of Words " – is notable for its vividness and its emotional precision.