Elton Ben Скачать все книги 5 Количество книг

The new novel from this well-loved, bestselling author.

Two Brothers

BEN ELTON’s career as both performer and writer encompasses some of the most memorable and incisive comedy of the past twenty years. In addition to his hugely influential work as a stand-up comic, he is the writer of such TV hits as and . Most recently he has written the BBC series on the subject of young parenthood. Elton has written three musicals, and and three West End plays. His internationally bestselling novels include *, , , and . He wrote and directed the successful film based on his novel starring Hugh Laurie and Joely Richardson.

It's 2:15 A.M. and the phone is ringing. Jolted awake, Polly stares wide-eyed at it. She is certain it must be bad news because no one with good news calls at that hour. A wrong number, maybe. But more likely it's the Bug, the stalker who has been harassing her for ages. But as Polly reaches for the phone, the one thing she cannot imagine, the one thing she doesn't remotely expect, is the voice on the other end of the line. Her very own blast from the past… "Don't freak out," the voice says. "It's Jack." And so begins a steamy two-in-the-morning stroll down memory lane. Sixteen years ago Polly Slade collided with an American knight-in-shining-armor at a roadside restaurant, when she wore a T-shirt with a cruise missile on it and he fell in love like a man without a parachute. For one summer the coolly polished American soldier and his red-hot anarchist British lover shared hotel rooms and noisy sex in the kind of burning-furnace love that can only happen once in any lifetime. Then Jack went back to America and his oh-so-promising career in the U.S. military. And Polly went on to her demonstrations, an unsatisfactory string of lovers, a dismal apartment, and, of course, the Bug… "Now Jack is a four-star general. And the Bug is a menace with a knife, standing outside Polly's building as the American makes his dashing return.

Dagger Awards

Bruce shoots movies. Wayne and Scout shoot to kill. In a single night they find out the hard way what's real and what's not, who's the hero and the villain. A nation watches in awe as Bruce and Wayne resolve the serious questions. Does art imitate life? And does Bruce use erection cream?

"A book with pace and wit, real tension…and a big on-screen climax."

From a celebrity performer, bestselling author of Popcorn and Inconceivable, a stunning satire on the modern obsession with fame.

One house. Ten contestants. Thirty cameras. Forty microphones.

Yet again the public gorges its voyeuristic appetite as another group of unknown and unremarkable people submit themselves to the brutal exposure of the televised real-life soap opera, House Arrest.

Everybody knows the rules: total strangers are forced to live together while the rest of the country watches them do it. Who will crack first? Who will have sex with whom? Who will the public love and who will they hate? All the usual questions. And then suddenly, there are some new ones.

Who is the murderer? How did he or she manage to kill under the constant gaze of the thirty cameras? Why did they do it? And who will be next?

***

Amazon.co.uk Review

Ben Elton's Dead Famous brings together his talents in comedy and crime writing to produce a hilarious and devastating novel on the gruesome world of reality TV. Peeping Tom productions invent the perfect TV programme: House Arrest. Its slogan is: "One house. Ten contestants. Thirty cameras. Forty microphones. One survivor." This is all a clever parody of the massive TV hit Big Brother, with its vain, ambitious contestants with their tattoos and their nipple rings, their mutual interest in star signs, their endless hugging and touching, and above all their complete lack of genuine intellectual curiosity about one single thing on this planet that was not directly connected with themselves.

However, Elton adds a clever twist to this very funny send-up. On Day 27 of the programme, one of the housemates is killed live on TV. Everyone in the country has a theory about the killer, "indeed the only person who seemed to have absolutely no idea whatsoever of the killer's identity was Inspector Stanley Spencer Coleridge, the police officer in charge of the investigation". Coleridge is an old fogey from the 1950s, who has to learn quickly about lesbians, piercings, blow jobs and the seductions of TV fame before he can crack the case. Elton's wicked parody of the housemates is brilliant, the murder fiendish in its ingenuity, and the ending wonderfully over the top. Dead Famous is great fun, and even has some social comment thrown in for good measure.

Whenever Sam thinks about babies, he envisages rivers of vomit and sleepless nights. But wife Lucy can't walk past Mothercare without crying. What's more, she can't seem to conceive-not by traditional methods, anyway. Hippy confidante Drusilla suggests an array of New Age remedies, including the intimate use of nutmeg oil and al fresco lovemaking. As Lucy faces a possible verdict of infertility, her love for Sam enters tailspin, accelerated by the advent of arrogant actor Carl Phipps. Meanwhile Sam, desperate to escape his tedious BBC job, conceives the inconceivable-turning the intimacies of their battle for babies into an acclaimed movie script.

Inconceivable tells a poignant and heart-rending story with Elton's trademark wit, creating a novel that is entertaining and emotionally satisfying; as explosive as Popcorn and with the incendiary humour of Blast From the Past. It courageously tackles its central theme from both the male and the female points of view, and while delivering laughs on every page, it steers clear of laddish clichés. Lucy's tale, though pregnant with unfulfilled emotion, never stints on humour. "There seem", she fumes, "to be more urban myths attached to infertility than there are to… film stars filling their bottoms with small animals."

Aside from the rich vein of gags about DIY conception (Sam has to leave a power lunch with the excuse: "Sorry, my wife is ovulating…"), Elton also subjects the TV industry to relentless stand-up-style bombardment, giving birth to some brilliant asides, which enrich the main story but never overpower it. Funny, tragic, true and ultimately heart-warming, this book should be available on the National Health Service.