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The first DKA File novel, Dead Skip, was called “superb in its swift, to-the-point plotting and on-the-mark dialogue. Dan Kearny’s detectives are Lew Archer in concert, and Joe Gores’ novel ranks at the head of its class.” — O. L. Bailey, Saturday Review In Final Notice Joe Gores has done it again. Here are the same characters, the same “fist in the face of authenticity.”[1] Joe Gores demonstrates once more how fresh and compelling the detective novel really can be.

A collection of eight stories. Includes the first appearance of the DKA File Series, and “Goodbye Pops” which won an Edgar for the Best Short Story of the Year. Joe Gores has written over 100 short stories, a dozen screen and teleplays (for such series as Columbo, B. L. Stryker, and Magnum PI), and eight novels, including the Edgar-winning Time of Predators.

In 1953 Pierce Duncan leaves college as an innocent and sets off to see America. His road trip will take him from the savagery of a Georgia chain gang to a wild ride through Texas to the darkest side of the Las Vegas fight game — and, finally, to San Francisco, the far end of the world. Along the backstreets and freight lines Dunc will meet beautiful women, dangerous men, and murder. And in California, home of the lost and the outcast, he will join up with the dynamic head of a private investigation agency. Here he will learn everything about being a man — and about brutal betrayal. Joe Gores has written a violence-marked love letter to a lost time in America, and a San Francisco roiling with the unexpected. With Dunc’s mind teeming with the cadences of Hemingway and Joyce. CASES is also an ode to the art of writing itself: writing as vivid as a lightning storm over a lonely highway, as unforgettable as a first kiss, as haunting as a dead woman’s eyes.

Заключенный сбежал из тюрьмы, чтобы проводить умирающего отца.

Dead Skip is the first novel in a remarkable new series Ellery Queen calls “authentic as a fist in your face.” With it, Joe Gores, the double Edgar-winner who spent twelve years as a private investigator, shows just how fresh and compelling the detective novel really can be.

“I’m going to have your license, shamus!” The line is as familiar to television viewers and readers of detective fiction as the blonde in the bedroom or the bottle in the drawer. But when the State of California cold-bloodedly sets out to grab Dan Kearny’s license, the phrase is no longer a cliché. The “irregular” case upon which the state is building its suit was handled by Kathy Onoda. Now she is dead. As the disciplinary hearings before the State Bureau of Private Investigators proceed, Kearny’s central problem becomes: Who could have witnessed the events in the DKA Oakland office on a rainy Friday afternoon nearly a year before? Seven people. Kearny’s staff ranges the state and then the country in search of them, but they are mysteriously Gone, No Forwarding from their addresses. The search becomes desperate when Kearny’s detectives find other, deadly hunters dogging their footsteps. As Bart Heslip becomes enmeshed in the strange odyssey of a fugitive black girl, it becomes evident that her testimony, and hers alone, can unravel the intricate human puzzle at the core of the novel. Moving, often comic, always taut, Gone, No Forwarding is another intensely real picture of modern investigative techniques from Joe Gores, the writer Anthony Boucher called “one of the very few authentic private eyes to enter the field of fiction since Dashiell Hammett.” The author gives us break-neck action, sparkling characterizations, machine-gun dialogue and, as critic James Sandoe said, “He handles violence as a wise man handles nettles.”

Life is a wondrous game for twenty-eight-year-old Eddie Dain. There’s phone chess with his beautiful wife, Marie. There’s the joy of his three-year old son. There’s his career using software to ferret out soft-core bad guys without ever leaving his computer. But when Eddie decides that a seemingly accidental death was no accident at all, it all blows up in his face. A new and shadowy enemy sends out two killers with shotguns. When they are through with him, Eddie has to be reborn. As a dead man. He’s dead to joy, dead to his past. Loveless and obsessed, he goes by the single name of Dain, lives with a cat who won’t purr, and thumbs through a bloodstained copy of the Tibetan Book of the Dead. Building up his body and an arsenal of lethal skills that Eddie never had, Dain hires himself out as a manhunter — because somewhere out there in an underworld of criminals and contract killers are the two men who destroyed his life. Dain’s break comes in Chicago, leads him to a beautiful stripper in New Orleans, and plunges him into the steaming swamps of the Louisiana bayou country. There, Dain will get his chance to separate truths from lies, traitors from friends, the living from the dead...

Runyan had spent eight years in San Quentin, but now he was out and ready to lead a quiet life, an honest life. But while he was away there were people planning for the day of his release, people who wanted the two million dollars in diamonds Runyan was carrying just before he went to jail. People like the insurance investigator who arranged his parole. People like the mysterious former “partners” who want their cut. People like a beautiful woman who seems to want him alive. And people like the unknown killer who definitely wants him dead. Runyan plans to get the diamonds from where he had stashed them in order to buy his way out... but they are gone. Now his only hope is to pull another robbery — something he swore never to do again — and use the proceeds to stay alive. COME MORNING is a novel of suspense about murder and betrayal; it is also a novel about love, and two people’s fight to live on their own terms despite overwhelming odds.