Nicolson Adam Скачать все книги 9 Количество книг

SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 2019‘This is a book of wonders’ Sunday Times‘Spellbinding and intelligent’ Financial Times‘Extraordinary and engrossing’ SpectatorIt was the most extraordinary year. In a book brimming with poetry and nature writing, biography and adventure, Adam Nicolson walks in the footsteps of Coleridge, Wordsworth and his sister Dorothy during the months in the late 1790s they spent together in the Quantock Hills.Out of it came The Ancient Mariner, ‘Kubla Khan’, Lyrical Ballads and ‘Tintern Abbey’; Coleridge’s unmatched hymns to friendship and fatherhood; Wordsworth’s revolutionary verses and paeans to the unity of soul and cosmos, love and understanding. In short, a poetry that sought to remake the world.

Wordsworth and Coleridge as you’ve never seen them before in this new book by Adam Nicolson, brimming with poetry, art and nature writing. Proof that poetry can change the world. It is the most famous year in English poetry. Out of it came The Ancient Mariner and ‘Kubla Khan’, as well as Coleridge’s unmatched hymns to friendship and fatherhood, Wordsworth’s revolutionary verses in Lyrical Ballads and the greatness of ‘Tintern Abbey’, his paean to the unity of soul and cosmos, love and understanding. Bestselling and award-winning writer Adam Nicolson tells the story, almost day by day, of the year in the late 1790s that Coleridge, Wordsworth, his sister Dorothy and an ever-shifting cast of friends, dependants and acolytes spent together in the Quantock Hills in Somerset. To a degree never shown before, The Making of Poetry explores the idea that these poems came from this place, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. What emerges is a portrait of these great figures as young people, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths towards it. The poetry they made was not from settled conclusions but from the adventure on which they were all embarked, seeing what they wrote as a way of stripping away all the dead matter, exfoliating consciousness, penetrating its depths. Poetry for them was not an ornament for civilisation but a challenge to it, a means of remaking the world.

A fascinating, lively account of the making of the King James Bible.James VI of Scotland – now James I of England – came into his new kingdom in 1603. Trained almost from birth to manage rival political factions, he was determined not only to hold his throne, but to avoid the strife caused by religious groups that was bedevilling most European countries. He would hold his God-appointed position and unify his kingdom. Out of these circumstances, and involving the very people who were engaged in the bitterest controversies, a book of extraordinary grace and lasting literary appeal was created: the King James Bible.47 scholars from Cambridge, Oxford and London translated the Bible, drawing from many previous versions, and created what many believe to be the greatest prose work ever written in English – the product of a culture in a peculiarly conflicted era. This was the England of Shakespeare, Marlowe, Jonson and Bacon; but also of extremist Puritans, the Gunpowder plot, the Plague, of slum dwellings and crushing religious confines. Quite how this astonishing translation emerges is the central question of this book.Far more than Shakespeare, this Bible helped to create and shape the language. It is the origin of many of our most familiar phrases, and the foundations of the English-speaking world. It was a generous and deliberate decision to make the Bible available to the common man: not an immediate commercial success, but which later became a bestseller, and has remained one ever since.Adam Nicolson gives a fascinating and dramatic account of the early years of the first Stewart ruler, and the scholars who laboured for seven years to create the world's greatest book; immersing us in a world of ingratiating bishops, a fascinating monarch and London at a time unlike any other.

Where does Homer come from? And why does Homer matter? His epic poems of war and suffering can still speak to us of the role of destiny in life, of cruelty, of humanity and its frailty, but why they do is a mystery. How can we be so intimate with something so distant?Longlisted for the 2014 Samuel Johnson Prize for Non-FictionIn this passionate and deeply personal book, Adam Nicolson sets out to explain why these great ancient poems still have so much to say about what it is to be human, to love, lose, grow old and die.The Mighty Dead is a journey of history and discovery, sewn together by the oldest stories we have – the Iliad and the Odyssey, which emerged from a time before the Greeks became Greek. As nomadic tribes of the northern steppe, they clashed with the sophisticated cities of the eastern Mediterranean. These poems tell us how we became who we are.We witness a disputatious dinner in 19th-century Paris and Keats finding in Chapman’s Homer the inspiration to travel in the ‘realms of gold’. We go to Bosnia in the 1930s, with the god of Homer studies Milman Parry where oral poetry still thrived; to Spain to visit the possible site of Hades; to Troy, Ukraine, Syria and the islands of the Mediterranean; and to that most ancient of modern experiences, the open sea, in calm and storm.Reflecting on fathers and sons, men and women, on the necessity for love and the violence of warriors, on peace and war, youth and old-age, Homer is the deep voice of Europe, as dark as Mavrodaphne and as glowingly alive as anything that has ever been.

Prize-winning author Adam Nicolson tells the story he was born to write – the real story of England. It is the gentry that has made England what it was and, to a degree, still is. In this vivid, lively book, history has never been more readable.We may well be ‘a nation of shopkeepers’, but for generations England was a country dominated by its middling families, rooted on their land, in their locality, with a healthy interest in turning a profit from their property and a deep distrust of the centralised state. The virtues we may all believe to be part of the English culture – honesty, affability, courtesy, liberality – each of these has their source in gentry life cultivated over five hundred years. These folk were the backbone of England.Adam Nicolson’s riveting book concentrates on fourteen families with a time-span from 1400 to the present day. From the medieval gung-ho of the Plumpton family to the high-seas adventures of the Lascelles in the 18th-century, to more modern examples, the book provides a chronological picture of the English, seen through these intimate, passionate, powerful stories of family saga. The families have been selected from all over the country and range from the famous to the unknown. Some families are divided by politics , such as the one who took different sides in the Reformation; others destroy their inheritance through reckless gambling or investments . All of them are vivid depictions of the life and code of the gentry, and have left deep archives of family papers which the author has been able to use, often for the very first time.THE GENTRY is first and foremost a wonderful sweep of English history. It presents a convincing argument on what has created the distinctive English character but with the sheer readability of an epic novel.

Have you ever wondered what it would be like to own your own set of islands?20 years ago it happened to Adam Nicolson. His father had answered a newspaper advertisement in the ‘30s. ‘Uninhabited islands for sale’, it said. ‘Outer Hebrides. 600 acres. 500 ft basaltic cliffs. Puffins and seals. Cabin. Apply Col. Kenneth Macdonald, Portree, Skye.’ These were the Shiants, three of the loneliest of the British Isles, set in a dangerous sea, with no more than a stone-built, rat-ridden bothy as accommodation, five miles or so off the coast of Lewis. They cost £1400 and for that he bought one of the most beautiful places on the planet.Adam Nicolson inherited the islands when he was 21, an astonishing gift, and they became in many ways the core of his life. This is the first time he has told the full story of his own experiences there, amid the dazzling concentration of birds, crowds guillemots, razorbills, great skuas and 240,000 puffins coming in every spring out of the North Atlantic to breed; the violence and danger of the surrounding seas; the songs and poems which cluster around the islands; the accounts of attemped murder, witchcraft and catastophe; the treasured place which the Shiants still hold in the Hebridean mindSea Room describes the Shiants as a microcosm of richness, their long and at times painful history combined with a natural world at its most potent: Bronze Age gold and the memory of sea eagles, an 8th-century hermit and his carved pillow stone, 18th-century memories soaked into the landscape and stories passed down from generation to generation. This is not the account of a castaway on a deserted rock but its opposite, a celebration of life which an extraordinary island enshrines.

The Smell of Summer Grass is based partly on the long out of print 'Perch Hill'. It is the story of the years spent in finding and building a personal Arcadia, sometimes a dream, sometimes a nightmare, by writer Adam Nicolson and his wife, cook and gardener, Sarah Raven.Adam Nicolson was determined to leave metropolitan life but the rundown farm in the Sussex Weald was not quite what he bargained for. The scenery was breathtaking and the rural neighbours charming but the hard end of real farming life was another matter – mud, cold, planning regulations and unco-operative livestock.But for the reader the whole enterprise is full of delight thanks to Adam Nicolson's writing: frank, witty and touching, it is a testament to the importance of holding on to your dreams and turning them into reality.

The Battle of Trafalgar can claim to be one of the most known of the great human events. In Men of Honour, Adam Nicolson takes one of the greatest identifiable heroes in British history, Horatio Nelson, and examines the broader themes of heroism, violence and virtue.Trafalgar gripped the nineteenth century imagination like no other battle: it was a moment of both transcendent fulfilment and unmatched despair. It was a drama of such violence and sacrifice that the concept of total war may be argued to start from there. It finished the global ambitions of a European tyrant but culminated in the death of Admiral Horatio Nelson, the greatest hero of the era.This book fuses the immediate intensity of the battle with the deeper currents that were running at the time. It has a three-part framework: the long, slow six hour morning before the battle; the afternoon itself of terror, death and destruction; and the shocked, exultant and sobered aftermath, which finds its climax at Nelson's funeral in a snowy London the following January.Adam Nicolson examines the concept of heroes and heroism, both then and now, using Nelson as one of the greatest examples. A man of complexity and contradiction, he was a supreme administrator of ships and men; overflowing with humanity, charm and love but also capable of astonishing ruthlessness and ferocity. Nelson's own courage, vanity, ruthlessness and sweetness made him one of the great identifiable heroes of English history.In Men of Honour, Adam Nicolson also traces the stories of many unknown people of the day. He tackles the grand theme of heroism; the move from the age of reason to the age of romanticism; and examines a battle that was not only a uniquely well-documented crisis in human affairs but also a lens on its own time. Adam Nicolson does not approach Trafalgar as a military historian. His book gives a wonderfully immediate recreation of both the battle itself and its aftermath in a rich, concrete and intellectually engaging style.

Accompanied by an eight-part series, this is the story of Adam Nicolson’s adventure in a small boat around the western coast of the British Isles.Early in the year, Adam Nicolson decided to leave his comfy life at home on a Sussex farm and go on an adventure. Equipped with the Auk, a forty-two-foot wooden ketch, and a friend who at least knew how to sail, he set off up the Atlantic coasts of the British Isles: Cornwall to Scilly, over to Pembrokeshire and the west of Ireland, to the Hebrides and its offliers, St Kilda and North Rona, before heading on to Orkney, and finally to the Faroes, a two hundred mile leap out into the autumn winds of the North Atlantic.But the book is not just a travel journal. Adam Nicolson writes of his own yearnings for the sea and for wide open spaces. His year is strung between the competing claims of leaving and belonging, of thinking that no life could be more exhilarating than battling a big gale driving in out of the Atlantic and of wanting to be back, in harbour, safe, still and protected. Running throughout the book is a dialogue within the author himself between the attractions of home and not home, the certainties of what you know and the seductions of what you don't.Reflective and poetic, this book is full of rich experience. It is a story passionately engaged with the beauty and marvels of the wild Atlantic coast, but is also a self-portrait of a man in the middle of his life who is determined to find out what it’s all for.